To be honest, I’ve always been afraid of drawing them.
But now, they just slipped in somehow, as besides Anukhai and Onoghu, there are also the Moruk, another human people living in Olveare, and they use to ride on them: horses.
As it happens, I’ve lived the last four years in immediate neighbourhood of a farm with a paddock, and I used to walk along it’s fence almost every day. Strangely, I did not pay too much attention, at least not from an artistic point of view, because when I came along it’s inhabitants, I usually had Sayuri with me, our four-legged wolf descendant companion, who likes to attract a lot of attention to herself.
However, when finally approaching the Moruk theme, I relied on the super learning effect: it would somehow just work magically, out of the box.
And, in conjunction with my relaxed digital shape finding technique, it almost did!
Not perfect, but hey … enough to enable me to work on the scene.
Which I did.
Still, I’m one scene behind completing the Ulog-Nala-Morm-thread, which is a bit … exhausting, from a mental point of view, because closing the gaps always tends to feel extra-tedious, and gaps magically grow larger, the closer you get on them.
However, this one is almost finished, and it once again brought forth new, cool and unplanned aspects of the story and ways to tell it.